So, upon the writing of this, I’m putting the final touches on The Imposters of Aventil, getting ready to send that in (along with finalized maps, appendix, acknowledgments), and with that, Imposters of Aventil will be done. Save, you know, copy edits and proofs. But the fundamental book that will come out next October (i.e., 2017) will be what it’s going to be.
Now, what am I going to do next?
Fortunately, I have contracts and deadlines to tell me what that’s going to be. Namely, my top priority is going to be finishing the working draft of Lady Henterman’s Wardrobe, the sequel to next March’s The Holver Alley Crew. I’m well along with it, but it is rough, and it’s still got plenty of work to go. That’s really not a decision, though: that’s what’s next.
After that, my decisions and prioritizing get a bit more complicated. I need to get moving on the third Constabulary book, The Parliament of Bodies. But part of working that involves redoing the outline. I’m also rewriting another manuscript– one that’s finished– and getting that polished (and sold) is somewhat tied to Parliament. This is the challenge with writing these interconnected stories in the same setting: having that re-write locked down will help me figure out what I need to do in Parliament. The core story plan won’t change, but there are shades and elements that weren’t fully anticipated when I wrote the original outline.
Beyond that, I have a few things on the backburner that I will pay more attention to. I still have a space opera book I’m working on, and it needs a lot of work. Like, an ending. And a serious re-write of the first three chapters. I also have a fantasy project that is well-outlined, but it wasn’t coming together. I realized the problem is in the worldbuilding. So I’m going back into that aspect and re-doing it in a way I’m finding fun and exciting. Of those two, I think the latter is going to become my real ‘back-up’ project for the foreseeable future.
But still, first things first: Lady Henterman’s Wardrobe. That’s an easy choice.