{"id":59,"date":"2014-08-28T13:00:00","date_gmt":"2014-08-28T13:00:00","guid":{"rendered":"http:\/\/mrmaresca.com\/wp\/?p=59"},"modified":"2014-08-28T13:00:00","modified_gmt":"2014-08-28T13:00:00","slug":"in-which-i-become-a-word-whore-or-who-is-marshall-ryan-maresca-character-anyway","status":"publish","type":"post","link":"https:\/\/mrmaresca.com\/wp\/in-which-i-become-a-word-whore-or-who-is-marshall-ryan-maresca-character-anyway\/","title":{"rendered":"In Which I Become A Word-Whore; Or, Who is Marshall Ryan Maresca Character Anyway?"},"content":{"rendered":"<p>So, as of today, I&#8217;ve been added to the <a href=\"http:\/\/word-whores.blogspot.com\/\">Word Whores blog<\/a>, joining Jeffe Kennedy, James Moore, K.A. Krantz, Linda Robertson, Marcella Burnard and Veronica Scott.&nbsp; I&#8217;ll be appearing as their Thursday blogger, though what I write over there on Thursdays will be the same thing I write <i>here<\/i> on Thursdays.&nbsp; My Monday post here will be unaffected.&nbsp; So here&#8217;s my first post for Word Whores, in which I introduce myself (which might be news for some of you anyway), and discuss this week&#8217;s topic.<br \/>&#8212;<br \/>Hello!&nbsp; I&#8217;m Marshall Ryan Maresca, the latest addition to Word Whores, and I know exactly the question you&#8217;re all asking.<\/p>\n<p><i>Who?<\/i><br \/><i><br \/><\/i>I just told you.<br \/><i><br \/><\/i><i>No, really, who are you?<\/i><\/p>\n<p>All right, fair question.&nbsp;<\/p>\n<p>So: Marshall Ryan Maresca, Fantasy and Science-Fiction writer.&nbsp; I&#8217;m also a playwright, but in all honestly I don&#8217;t focus on that as much, leaning more toward fantasy and sci-fi writing.&nbsp; <\/p>\n<p><i>Yeah, but, have I read any of your stuff?<\/i><br \/><i style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img decoding=\"async\" alt=\"Product Details\" class=\"productImage cfMarker\" src=\"http:\/\/ecx.images-amazon.com\/images\/I\/51zuSBYRToL._AA160_.jpg\" \/> <\/i><\/p>\n<p>Well&#8230; maybe?&nbsp; My short story <i><b>Jump the Black<\/b><\/i> appeared in <a href=\"http:\/\/www.amazon.com\/Rayguns-Over-Texas-Richard-Klaw\/dp\/0989270602\/ref=sr_1_2?s=books&amp;ie=UTF8&amp;qid=1409199272&amp;sr=1-2\"><i><b>Rayguns Over Texas<\/b><\/i><\/a>, an anthology of sci-fi short stories all from Texas authors.&nbsp; It&#8217;s a very cool anthology, and I highly recommend it.<\/p>\n<p><i>Texas, huh?<\/i><\/p>\n<p>Yes.&nbsp; Born and raised in Syracuse, New York, a city known for its rainfall and winters where daily snow can occasionally be measure in feet.&nbsp; All right, admittedly, that&#8217;s during freak blizzards, but <i>it still happens<\/i>.&nbsp; So after finishing a film degree at Penn State, I moved to Austin, Texas.&nbsp; A place where snow is so uncommon, a wisp of it shuts the whole city down.&nbsp; It is bliss.<\/p>\n<p><a href=\"http:\/\/www.austinchronicle.com\/issues\/vol16\/issue47\/arts.exhibitionism.3.gif\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" alt=\"http:\/\/www.austinchronicle.com\/issues\/vol16\/issue47\/arts.exhibitionism.3.gif\" border=\"0\" class=\"decoded\" height=\"136\" src=\"http:\/\/www.austinchronicle.com\/issues\/vol16\/issue47\/arts.exhibitionism.3.gif\" width=\"200\" \/><\/a><i>Film degree, playwright?&nbsp; Why are you writing novels?<\/i><\/p>\n<p>I actually spent quite a bit of time doing theatre in Austin, as a playwright, director, producer, and even a bit of time as an actor.&nbsp; As an actor, I mostly specialized in characters who got beat up, smacked around or killed.&nbsp; I even played a character who was killed twice: first time, getting my neck broken, and then having my brain stolen.&nbsp; Said brain was installed into a virtual reality system, and then my virtual self was killed.<br \/><i> <\/i><br \/>It was a weird show.<\/p>\n<p>But over time I began to realize that writing novels was what I <i>really<\/i> wanted to do, and I but all my focus into that.&nbsp; I still write short plays on occasion, mostly because it helps keep those dialogue writing muscles sharp.&nbsp; (More on that in a bit)<\/p>\n<p><i>So, ahem&#8230; novels, you were saying?<\/i><br \/><i style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img loading=\"lazy\" decoding=\"async\" alt=\"http:\/\/blog.bookcountry.com\/wp-content\/uploads\/2014\/08\/THE-THORN-OF-DENTONHILL-cover.jpg\" class=\"decoded overflowing\" height=\"200\" src=\"http:\/\/blog.bookcountry.com\/wp-content\/uploads\/2014\/08\/THE-THORN-OF-DENTONHILL-cover.jpg\" width=\"124\" \/> <\/i><\/p>\n<p>Right.&nbsp; I&#8217;ve got two fantasy novels coming out in 2015 from <a href=\"http:\/\/www.penguin.com\/meet\/publishers\/daw\/\">DAW Books<\/a>.&nbsp; First is <i><b><a href=\"http:\/\/www.penguin.com\/book\/the-thorn-of-dentonhill-by-marshall-ryan-maresca\/9780756410261\">The Thorn of Dentonhill<\/a>,&nbsp;<\/b> <\/i>coming out on February 3rd.&nbsp; The next one, <i><b>A Murder of Mages<\/b><\/i>, will be coming out later in the year.&nbsp; Both books are in the same fantasy setting, in the same city, but they are each, individually, the first of a series.&nbsp;<\/p>\n<p><i>So you&#8217;re launching two different series essentially at the same time?<\/i><\/p>\n<p>Yes. I&#8217;m crazy.<i> <\/i><\/p>\n<p><i>All right, man, it&#8217;s your life<\/i>.<\/p>\n<p>Is that all?<\/p>\n<p><i>Hey, I&#8217;m asking the questions!<\/i><\/p>\n<p>Actually, you&#8217;re not any more.<i> <\/i><\/p>\n<p><i>Oh, yeah.&nbsp; So, aren&#8217;t your posts for WordWhores supposed to be on a topic-of-the-week?<\/i><\/p>\n<p>Yes, they are!&nbsp; Which I&#8217;m quite grateful for, so now I won&#8217;t spend Wednesday nights thinking, &#8220;What the heck am I supposed to be writing about for tomorrow?&#8221;<br \/><i> <\/i><br \/><i>What&#8217;s this week?<\/i><\/p>\n<p>This week is about dialogue in non-action scenes, which is a right-in-my-wheelhouse place to start.&nbsp; Dialogue and I are good friends.&nbsp; This comes from cutting my writing teeth on plays.&nbsp; I can throw two characters in a room and have them banter and bounce until days end.&nbsp;<\/p>\n<p>Which means sometimes, in writing prose, I fall into the trap of thinking like a playwright.&nbsp; I mean, I just give them the words to say.&nbsp; Action, emotion, intention?&nbsp; The actors will bring that in their performance.&nbsp; What&#8217;s that?&nbsp; No actors?&nbsp; Just words on the page?&nbsp; Ah.&nbsp; Have to go back and revise.<\/p>\n<p>So, yeah, for me, it&#8217;s always an active process of remembering the action of the non-action scene, what the people are doing, how they physically react to the conversation, how the POV character feels and their observations of other people&#8217;s emotions.&nbsp; But part of that being an active process means I have to be aware that it isn&#8217;t becoming inorganic.&nbsp; It&#8217;s one thing to make sure the characters are active while they&#8217;re talking.&nbsp; It&#8217;s another to make sure I&#8217;m not just marking minutia for no reason other than to give them bits of business to do while talking.<\/p>\n<p>That&#8217;s overdirecting your actors.<\/p>\n<p>So, on some level, you do have to trust in the effectiveness of the words of dialogue themselves.&nbsp; Like you trust your actors to find the meaning and action that goes with it, you can trust your readers to do the same.<\/p>\n<p>And with that, it&#8217;s time to head back into the word mines.&nbsp; See you down there.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So, as of today, I&#8217;ve been added to the Word Whores blog, joining Jeffe Kennedy, James Moore, K.A. Krantz, Linda Robertson, Marcella Burnard and Veronica Scott.&nbsp; I&#8217;ll be appearing as [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,45,7,46,10,47,6,40],"tags":[],"class_list":["post-59","post","type-post","status-publish","format-standard","hentry","category-a-murder-of-mages","category-acting","category-daw","category-dialogue","category-process-of-writing","category-theatre","category-thorn-of-dentonhill","category-word-whores"],"_links":{"self":[{"href":"https:\/\/mrmaresca.com\/wp\/wp-json\/wp\/v2\/posts\/59"}],"collection":[{"href":"https:\/\/mrmaresca.com\/wp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mrmaresca.com\/wp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mrmaresca.com\/wp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mrmaresca.com\/wp\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":0,"href":"https:\/\/mrmaresca.com\/wp\/wp-json\/wp\/v2\/posts\/59\/revisions"}],"wp:attachment":[{"href":"https:\/\/mrmaresca.com\/wp\/wp-json\/wp\/v2\/media?parent=59"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mrmaresca.com\/wp\/wp-json\/wp\/v2\/categories?post=59"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mrmaresca.com\/wp\/wp-json\/wp\/v2\/tags?post=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}